Monday, August 15, 2011

Project 1 Tut 9 - Using AdobeRGB not sRGB for Web images


Tut 9 – (Quick Tip) Save Images Using AdobeRGB rather than sRGB for the Web.

Source: National Association for Photoshop Professionals, Members Site, Tutorials (Requires Logon)

This short 3-minute video, by RC Concepcion, demonstrates that saving images for the web using the standard accepted method of saving as sRGB  @72 ppi does not display the same colours when viewed in different browsers. Using Safari, Chrome and Firefox the image displays with significantly different colours.

Using the same image he optimises for the web using the AdobeRGB colour space. Although he does the colour space changing in Safari it can be done in the File>Save for Web within Photoshop. When the AdobeRGB was displayed in the three browsers the colours were much more closely matched. 

Sunday, August 14, 2011

Project 1 Tut 8 - Create Your Own Custom Brushes



Photoshop Brushes - Create Your Own Custom Brushes

Written By Steve Patterson
In this tutorial, we'll learn how easy it is to make our own custom Photoshop brushes! Photoshop ships with lots of great brushes for us to use, but it's way more fun and interesting to create our own, especially after Adobe completely revamped the brush engine in Photoshop 7, adding unprecedented painting ability to what was already the world's most powerful image editor.
Since the types of brushes we can create in Photoshop are limited only by our imagination, we'll design a very simple brush here just to see how quick and easy the whole process is. We'll also take a look at a couple of Photoshop's dynamic brush options in the Brushes panel to see how we can change the behavior of the brush after we create it.
Let's get started! 
Step 1: Create A New Photoshop Document
Let's begin by creating a brand new Photoshop document which we'll use to design our brush. Again, the purpose of this tutorial is not to learn how to create this exact brush, but rather to see how the process works from beginning to end. I'm going to create a new 200 x 200 pixel document by going up to the File menu in the Menu Bar at the top of the screen and choosing New. Or, for a faster way to create a new document, press Ctrl+N (Win) / Command+N (Mac) on your keyboard:



Go to File > New.

This opens the New Document dialog box. Enter 200 for both the Width and Height options and make sure the measurement type is set to pixels. Also, make sure the Background Contents option is set to White since we need white to be the background color for the brush:


Create a new 200 x 200 pixel document with a white background.
Click OK when you're done to accept the settings and exit out of the dialog box. A new 200 x 200 pixel document, filled with white, will appear on your screen.
Choosing An Initial Size For Your Brush
Photoshop allows us to create brushes as large as 2500 x 2500 pixels, but as they say, just because you can doesn't mean you should. At that size, you'd be painting with the virtual equivalent of a floor mop. Also, painting with very large brushes requires a lot more memory and horse power from your computer which can slow your system down considerably. For typical work, you'll want to create brushes much smaller.
The size at which you initially create the brush will become its default size, and it's important to note that brushes we create ourselves are pixel-based brushes, which means they're essentially images and behave exactly the same way as regular images when it comes to resizing them. Brushes will usually remain crisp and sharp when we make them smaller, but if you increase their size much beyond the default, they'll become soft and dull looking. The general idea, then, is to create your new brush just large enough to suit your needs, which may involve a little trial and error. The 200 x 200 pixel size I'm using here usually works well.
Step 2: Select The Brush Tool
Let's create our new brush using one of Photoshop's built-in brushes. First, select the Brush Tool from the Tools palette, or press the letter B on your keyboard to quickly select it with the shortcut:
Select the Brush Tool.
Step 3: Select A Small Round Brush
With the Brush Tool selected, right-click (Win) / Control-click (Mac) anywhere inside the document window to display the Brush Preset picker, which is a miniature version of the full-blown Brushes panel that we'll look at a bit later (and we'll examine in much more detail in another tutorial). The Brush Preset picker allows us to choose from a list of preset brushes (which explains its name). To select a brush, simply click on its thumbnail. I'm going to click on the Hard Round 5 Pixels brush to select it. If you have Tool Tips enabled in Photoshop's Preferences, the name of each brush will appear as you hover over the thumbnails. Press Enter (Win) / Return (Mac) once you've chosen your brush to close out of the palette:

Select a small round brush from the Preset picker, then press Enter (Win) / Return (Mac) to close out of it.
Step 4: Make Sure The Foreground Color Is Set To Black
Back when we created our new document in Step 1, we made sure to set the background color of our document to white. The reason is that all brushes in Photoshop are Grayscale, meaning that a brush can contain only black, white, or shades of gray in between. Areas filled with white become transparent, so you won't see them when you're painting with the brush. Areas filled with black will be 100% visible, and if your brush includes various shades of gray, those areas will be partially visible depending on how close they are to black or white, with darker shades of gray being more visible than lighter shades.
If we were to turn our new document into a brush as it is right now, the entire brush would be transparent since it contains nothing but white. Painting with an invisible brush may make an interesting statement artistically, but for more practical purposes (like this tutorial), you'll most likely want a brush you can actually see, which means we'll need to add some areas of black to the document. The black areas will become the visible shape of the brush (known as the brush tip).
Photoshop paints using the current Foreground color, and as luck would have it, the default for the Foreground color is black, which means there's a very good chance yours is already set to black. You can see the current Foreground and Background colors by looking at their color swatches near the bottom of the Tools palette (the Foreground color is the swatch in the top left). If your Foreground color is set to something other than black, press the letter D on your keyboard to quickly reset both the Foreground and Background colors to their defaults:

The Foreground color is the color the brush will paint with.
Step 5: Paint A Series Of Horizontal Brush Strokes Inside The Document Window
With the small round brush selected and black as your Foreground color, click inside the document window and paint a series of short horizontal brush strokes. For added variety, alter the thickness of the strokes by changing the size of the brush using the handy keyboard shortcuts. Press the left bracket key ( [ ) to make the brush smaller or the right bracket key ( ] ) to make it larger. You'll find the bracket keys to the right of the letter P on most keyboards. When you're done, you should have a column of brush strokes that looks something like this:

A column of messy, random brush strokes.
Step 6: Create A New Brush From The Document
To create a new Photoshop brush from the document, simply go up to the Edit menu at the top of the screen and choose Define Brush Preset from the list of options (depending on which version of Photoshop you're using, the option may be called simply Define Brush):

Go to Edit > Define Brush Preset.
Photoshop will pop open a dialog box asking you to give your new brush a name. I'm going to call mine "My New Brush". You'll probably want to choose a name that's a little more descriptive:

Name the new brush.
Click OK when you're done to close out of the dialog box, and that's all there is to it! We've successfully created a brand new custom brush in Photoshop that's ready and waiting to help us bring our creative vision to life. You can safely close out of the brush's document at this point.
To select the new brush any time you need it, first make sure you have the Brush Tool selected, then right-click (Win) / Control-click (Mac) anywhere inside your document to open the Brush Preset picker. Scroll down the list of available brushes until you see your brush thumbnail (newly created brushes will appear at the bottom of the list), then click on the thumbnail to select the brush. Press Enter (Win) / Return (Mac) once you've selected it to close out of the Brush Preset picker:

Select your new brush from the Brush Preset picker.
With the new brush selected, simply click and drag inside your document to paint a brush stroke:

The newly created brush in action.

Paul's images created using this tutorial 

Brush Style

Writing with the brush


Project 1 Tut 7 - Using the Ruler to Straighten an image



Source: the PhotoArgus

by D.A. Wagner


To shoot unnoticed, I frequently hold my camera casually, at waist level, and shoot using my intuition and guesswork. Knowing where to aim, but not seeing through my viewfinder or LCD, gives me uneven results and I have to make some corrections for the photo to look good. Here are two simple tricks – Ruler and Crop:


1.Feel free to save the image above and follow along – let’s level out this scene first by going to the measure tool. It’s hidden under the eyedropper dialog, so click and hold to reveal the submenus and select the Ruler Tool (remember, you’ve done this, otherwise you may not be able to find your eyedropper tool the next time you need it).


2.Click and drag your ruler across a good vertical (or horizontal) straight line near the middle of the photo. If you don’t have a usable straight line, make a good guess. In this case I’m using the columns on the church in the background. Once you’ve done this…

3.Simply go to Image/Image Rotation/Arbitrary and you will get a dialog box with a number already in it.




Photoshop is telling you that it believes this change in angle will make the ruler line you made in your picture a straight. It usually does a very good job, but don’t be surprised if you get unexpected results. If you do, pick another straight line (don’t pick the same line) and try again until Photoshop (it’s not you) gets it right. Select OK, and this is the result:

4.Finally, this image needs to be cropped. Using the rule of thirds, which has been covered on PA with some terrific examples, let’s crop this puppy. I would like the girl to be in the lower left third, so I can keep the flavor of my background scene. You can measure this out or simply eyeball your thirds out.



5.And, here is the final result, a nice vacation photo without all the mess.

D.A. Wagner has been a photographer, owner of a flash rental company, a photographer, co-owner of original Photo District News, a photographer, founder of a Virtual Reality production company, a photographer, a designer and owner of a greeting card company, a photographer, a custom picture framer, and a photographer.





Sunday, August 7, 2011

Project 1 Tut 5– Fast Skin Smoother

This tutorial is for use with protraits for smoothing skin and is enhanced that it can be caputred in Actions to be usesed repetively and save time.

Fast Skin Smoother
Source: 'Digital Photographer's Notebook' by Kevin Ames found in Photoshop User Magazine, June 2011,  pp. 82-83.

Before

After


Project 1 Tut 4– Change a Photo to a Sketch

How to change a photo to a Sketch


Source: Photoshop Users Group – Subscription required.

Here is a copy of the video insturction and below is my shorthand transcript of the steps. 






  • Open an image.
  • Make a duplicate layer – Cmd J
  • Desaturate the layer – Cmd U
  • Make a duplicate of the Desaturated layer – Cmd J
  • Inverse the Layer – Cmd I
  • Use a blending Mode of Colour Dodge that will or almost cancel out the Desaturated Layer and the Inverse Desaturated layer (which is the selected layer). The image should be totally white or almost there may be some stray marks but that is OK.
  • Convert the active layer to a smart filter by going to Filter > Convert to Smart Filters, a message will come up to saying the layer is being converted to a smart object – click OK.
  • [Note when we go to use some of the filters they may be greyed out. That is because they can only be applied to 8-bit image. To change to 8 bit go to Image > Mode > 8 bit]
  • Choose Filter > Brush Strokes > Spatter it will open a filter screen to make adjustments on using the sliders. Click OK. (By applying it to a smart object you will be able to go back and make adjustment – a non smart object would have to be deleted and you’d start all over again.)
  • If you want to edit the effect double click on the spatter in the layer effects area to open the effects panel and make your changes.
  • You can again open the effect panel and at the bottom you will see an eye with the name of the effect you are using. Below that there is a button on the bottom of the page next to the Trash that if clicked will allow another effect layer to be added. [In my example I’ve used Splatter and Cross Hatch as described in the video.]
  • Once happy with the sketch you can make a duplicate of the Background Layer Cmd J and drag it to the top of the layer stack and reduce the opacity to 20-30% to get an even better effect.




Friday, August 5, 2011

Project 1 Tut 3 – Masking with Channels

Masking with Channels 
Source: Planet Photoshop: Masking with Channels by Corey Barker (video)

My orginal image and extracted masked image - I've used a blue background so the masking shows up better. 



Here is a low-res snow photo from the web that I tried to use this technique on and had better results. Results are still not as good as the tutorial but with practice it can be perfected and as Corey says it is less time consuming than trying any of the other masking tools which don't work in this type of situation. I did find when trying to locate test photos the background has to have a simple background.



This is my attempt to provide a transcript of the video clip that will allow us to complete the task without having to keep returning to the video for instruction.

How to mask for complex images with simple backgrounds. The video shows a snow boarder in the air with lots of small flakes of snow scattered all over that he want to keep. 

Go to windows and ensure Channels is open.

You edit in an alpha channel so it is done visually. Extracting hard to get parts of the photo. Most standard selection tools won't work. 

Open Channels and find the most contrasting to the subject and the background -RGB channels. For an alpha channel you need it to be straight black and white but inevitably end up with grey. 
Black will be the unselected area and white the selected area. 

Toggle to the selected channel and we are going to use a feature of PS that most people ignore or are afraid of because of the complicated menu. Go to image menu and select Calculations. We are going to uses calculation to darken up the grey areas. There are three sections. The Source will stay the same, as we want it to apply to the image we are working on. The Layer will be the background and the channel will be the channel we selected with the most contrast and the blending will be Multiply to change the background from grey to black. The result will be a new channel. Click OK and in your channels there will be a new channel called Alpha 1. 

Now invert the alpha1 channel Cmd + I to make it easier to work with. 

Now press Shift Delete - go into the fill window in use Black and in the Blending area set it to Overlay. What this will do is ignore white area and other areas will be forced to black. It can be done a second time if necessary. 

Select the brush tool small brush, hard edge and change blend mode on the brush tool to Overlay. then we can paint with black in the area. There may some areas that are too light and you will not be able to paint them. When that happens you can change the brush blend mode to normal and paint - be careful as now the brush will paint on the white areas. 

In the alpha channel any area that is white is going to be your selection and grey partially selected and black unselected. So we want to invert the image again Cmd + I. It was easier to paint with black and define the edges is why the image was originally inverted.  

The background area may still have some grey in it. Use levels to move the dark slider in to make it black and click OK on the curves. Now ready to extract. Go to layer panel.

Unlock the background layer - drag padlock to trash. Go to Select and Load Selection loadsthe alpha channel as a new selection and click OK. Click the layer mask icon at the bottom of the layers. 

To see how good the selection is add a new layer underneath and give it a fill colour. It should be nicely extracted. You may have to do some fine tweaking using the paintbrush in normal mode black background to clean up some areas.